There was a time not so long ago when Sergei Rachmaninoff's All-Night Vigil was virtually unknown outside of Russia. But an early transliteration of the work and some pivotal recordings helped to catch the attention of Western choral groups and audiences. We interview choral conductor and Russian music expert Alexander Ruggieri, who tells the story of the Vigil's emergence as one of the best-loved choral masterpieces.
Apologies, but you don't have permission to view this page.
Thanks for your interest. You must be a Chorus America member (or derive membership benefits from your relationship to a member organization) to view this content.
If you are currently a member, please log in or create a site user account for access to members-only content. If you are not currently a member, We invite you to join to access all Chorus America’s resources and benefits.