
Register by October 17 to Secure Your Spot!
Registration Type | Member Price |
---|---|
Early Bird Registration (Sept. 11-Oct.3) | $750 |
General Registration (Oct. 4-Oct.17) | $850 |
Registration Type | Member Price |
---|---|
Early Bird Registration (Sept. 11-Oct.3) | $750 |
General Registration (Oct. 4-Oct.17) | $850 |
Registration Type | Member Price | Non-Member Price |
---|---|---|
Early Bird Registration (Sept. 11-Oct. 3) | $750 | $850 |
General Registration (Oct. 4-Oct.17) | $850 | $950 |
Not a member? We'd love to have you join us for this event and become part of the Chorus America community! Visit our membership page to learn more, and feel free to contact us with any questions at [email protected].
Registration Type | Non-Member Price |
---|---|
Early Bird Registration (Sept. 11-Oct. 3) | $850 |
General Registration (Oct. 4-Oct.17) | $950 |
Think you should be logged in to a member account? Make sure the email address you used to login is the same as what appears on your membership information. Have questions? Email us at [email protected].
Registration Type | Price |
---|---|
Individual Session | $30 each |
All Four (4) Sessions | $110 |
*Replays with captioning will remain available for registrants to watch until November 1, 11:59pm EDT.
Member Professional Development Days are specially designed for Chorus America members. If you're not currently a member, we'd love to welcome you to this event, and into the Chorus America community! Visit our membership page to learn more about becoming a member of Chorus America, and please don't hesitate to reach out to us with any questions at [email protected].
Registration Type | Price |
---|---|
Individual Session | $30 each |
All Four (4) Sessions | $110 |
*Replays with captioning will remain available for registrants to watch until November 1, 11:59pm EDT.
Registration Type | Price |
---|---|
Individual Session | $30 each |
All Four (4) Sessions | $110 |
*Replays with captioning will remain available for registrants to watch until November 1, 11:59pm EDT.
Member Professional Development Days are specially designed for Chorus America members. If you're not currently a member, we'd love to welcome you to this event, and into the Chorus America community! Visit our membership page to learn more about becoming a member of Chorus America, and please don't hesitate to reach out to us with any questions at [email protected].
Brian Holmes is a man of many
talents: he is a Physics professor at San
Jose State University in San Jose, California,
a French Horn player, and
of course, a composer of note. He has
numerous pieces currently in print, and
his compositions are known to choirs all
across the country and abroad. He has
won several composition prizes, most
notably the 2012 American Prize in Choral
Composition for Amherst Requiem, whose
premier Vivace Chorus participated in.
For the past five years, Brian has also
been Vivace’s Composer in Residence. In
that time, Vivace has commissioned three
pieces, and he has written several more
for us, including The Song of Mr. Toad
and two pieces for Vivace’s Poetry and
Song Project, one of which, The Perfect
Beginning, was on our program for our anniversary
concert June 1st, 2013. We also performed his
Pie Jesu accompanied by Brian on French
Horn.
Recently I spoke to Brian about his
life and work: In an auspicious start,
he quit piano in 5th grade to join Little
League. But parents, there is hope! Just
a year later, he took up French Horn,
which he plays to this day. His interest
in composition started in high school,
and music theory courses in college gave
him the confidence to start composing in
earnest. The Pomona College fight song,
When Cecil Saghen Chirps, was his first
piece, and is still sung at football games.
The interaction of text and music is
an important part of music for Holmes,
and he has said that “the text drives
the music.” He has written ten song
cycles and three operas. To find texts
of interest, Brian looks for poems that
“sing on the page.” He also looks for
humorous or unusual writings. Purely
instrumental works are more difficult for
him to write, though he has several pieces
including a concerto for Brass Trio and
Orchestra and a number of arrangements
for instrumental ensembles. Brahms’
symphonic writing has really influenced
him, and he’s thought about writing a
symphony on the subject of the Hawai’ian
temples, called heiaus.
This summer Brian will be finishing
a Physics and Music textbook. He also
has a commission to write a piece for
the 1st year anniversary of the Newtown,
CT massacre from a Newtown Catholic
church. A possible project for Vivace is an
opera incorporating the poetry of Edward
Lear. We are delighted that with so many
projects on the go Brian is still writing
fresh works for Vivace to perform.
- Peggy Spool, Artistic Director,
Vivace Youth Chorus