The subtle details of Christopher Marshall's Elegy for a City Railyard require great time and effort to master, says Magen Solomon of San Francisco Choral Artists and the San Francisco Bach Choir, but the investment yields a richly evocative sensory experience that is absolutely worth it.
In the chorus-crazy land of Minnesota, there’s a charismatic new face in town putting a unique stamp on the area’s choral scene.
This issue of the Research Memorandum Series focuses on the compositions of internationally known composer Arvo Pärt. After a brief biography of the world renowned Estonian composer, compiler Mark Vuorinen lists Pärt’s complete current choral compositions, both unaccompanied and accompanied. This issue places into one convenient document the choral output of this seminal artist.
SATB pieces do not always make for equally successful SSAA versions, notes Portland Symphonic Girlchoir founding artistic and executive director Roberta Q. Jackson, but she has found a gem in this David C. Dickau adaptation for women's voices.
Committed to the expansion of repertoire for women's voice, Beth Willer was particulary struck by one flexible and enticing piece.
With Donald Skirvin's Alchemy, Karen P. Thomas found a piece that makes a strong impression on audiences and is both challenging and rewarding for singers.
In a commentary for Chorus America’s online feature Noteworthy, Donald Nally commends James MacMillan’s St. John Passion to choral music colleagues—despite its considerable challenges. Not only is its scale monumental, the oratorio may invite controversy.
Programming a modern St. John Passion invites controversy in a way that programming a historical setting such as Bach's does not. For Donald Nally, the musical and philosophical discussions raised by James MacMillan's St. John Passion made taking on the work an experience of growth for all involved.
"I want to catalyze an international community around our organization and expand the repertoire that we do."
Midcoast Community Chorus of Rockport, Maine was founded on the belief that everyone has a voice that deserves to be heard and that powerful things happen when we sing together in community. The group’s founder and artistic director Mimi Bornstein talks about the impact of that vision in the community.