Leadership

Understanding more about choral conducting as an occupation can help choral conductors plan their careers and choral leaders make better decisions. This report uses data drawn from the survey responses of more than 600 conductors to examine conductors' career paths, training, responsibilities, salaries, and more. These key findings provide an overview of both important challenges and reasons to feel confident about the health of the profession, as well as developments since Chorus America's first choral conductor survey over a decade ago. Access the full report, available to Chorus America members, here. 

Singers are the lifeblood of the choral field. Ensembles from coast to coast are anchored by veterans of school and youth choral programs who found the experience rewarding enough that they continued through adulthood. But as choral leaders know all too well, many choristers can’t or don’t stick with it; they drop out of choral singing when they hit significant life transitions.

Emotional Expression in Group Singing

Music is an emotional medium, yet we often spend rehearsal time in our choirs focused on notes, rhythms, and precision, rarely addressing the meaning of the music, says arranger and producer Deke Sharon. In the new book The Heart of Vocal Harmony: Emotional Expression in Group Singing, Sharon puts the process of delivering an emotionally compelling performance front and center.

Each month, Chorus America profiles one of our members in our Meet A Member interview series. To mark the season of giving, we changed things up a little bit for December and spoke to a Chorus America donor, Michael Pettry, executive director of the Indianapolis Symphonic Choir, who has also been known to be generous with his time and talents. President & CEO Catherine Dehoney spoke to Michael about his latest work with the Symphonic Choir and what inspires him to give.

Chorus America's annual survey of the operations of choruses, the Chorus Operations Survey Report includes more than 45 different analyses, from number of board meetings to board giving, from ticket pricing to chorus dues amounts, from accompanist pay practices to marketing efficiency. The 2016 report features data from the 2014-2015 season, as well as a new series on board terms and director term limits.

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As a graduate conducting student at Temple University in the 1980s, Diana V. Saez recalls being frustrated that there was no mention of Latin American composers—except for the famous composers Villalobos from Brazil and Ginastera from Argentina. When she moved to Washington DC, in 1990, she found a bustling choral music scene, with a wide variety of choruses. But Latin American music was not part of the standard repertoire.

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