Vijay Gupta is both a violinist with the Los Angeles Philharmonic and a dedicated advocate for the power of music to change lives and reconnect us to our shared humanity. In 2011, he founded Street Symphony, a non-profit organization dedicated to engaging musicians in performance and dialogue with marginalized communities of people experiencing poverty, homelessness and incarceration.
Is this growing trend a gimmick? Or a glimpse of the future?
This month's 'Meet A Member' celebrates Music In Our Schools Month, which engages communities from around the country in promoting the benefits of high quality music education programs in schools.
When you stop to think about the ways people sing together, the diversity is breathtaking. Just a partial list includes community, school, collegiate, and church choruses, as well as gospel choirs, barbershop groups, contemporary a cappella ensembles, men’s choruses, and special mission groups like threshold choirs.
Music is an emotional medium, yet we often spend rehearsal time in our choirs focused on notes, rhythms, and precision, rarely addressing the meaning of the music, says arranger and producer Deke Sharon. In the new book The Heart of Vocal Harmony: Emotional Expression in Group Singing, Sharon puts the process of delivering an emotionally compelling performance front and center.
Each month, Chorus America profiles one of our members in our Meet A Member interview series. To mark the season of giving, we changed things up a little bit for December and spoke to a Chorus America donor, Michael Pettry, executive director of the Indianapolis Symphonic Choir, who has also been known to be generous with his time and talents. President & CEO Catherine Dehoney spoke to Michael about his latest work with the Symphonic Choir and what inspires him to give.
In the wake of terrible events, choruses and choral leaders have found ways to be part of the response and healing process.
This August, Chorus America released the results of the first-ever systematic look at what moves and motivates the people who attend choral music concerts. In partnership with leading research and consulting firm WolfBrown, the Intrinsic Impact Audience Project worked with 23 choruses across North America to survey their audiences.
After serving as a guest conductor with the Seattle Women's Chorus (SWC), Wendy Moy became friends with Dennis Coleman, who served as the artistic director for all of SWC's 14 years, as well as 35 years with the Seattle Men's Chorus. Now the director of choral activities and music education at Connecticut College and co-artistic director of Chorosynthesis Singers, Wendy spoke with the man she calls one of her mentors in the wake of his retirement about his career and the future of the choral field.
An expert in audience development and diversification, Donna Walker-Kuhne has devoted her professional career to increasing access to the arts. In advance of her keynote plenary on “Dynamic Community Engagement” at Chorus America’s Conference in Cincinnati, she spoke with president and CEO Catherine Dehoney about how the conversation around community engagement has changed—and the opportunities this creates for choruses to “roll up their sleeves and dig in.”