Today's GLBT choruses continue to be places to unite in common causes, but their perspectives have changed along with the times.
As all-male colleges went coed in the 1970s, they left something important behind: their music. The Washington Men's Camerata is working to preserve this historic resource.
This issue provides insight into the music of Hamish MacCunn, Scottish romantic composer, conductor, and teacher. Jennifer Oates gives us a complete listing of MacCunn's choral works, including audio file examples.
As the world celebrates the centenary of this central figure of 20th century classical music, noted scholar John Evans illuminates the power and impact of his great choral-orchestral work.
During campaign season, "government support" comes up often as a discussion topic. As the U.S. approaches its November election, it feels like an appropriate time to remind ourselves about how government support applies to the arts. Here are some thoughts from Chorus America to get you started.
Choral conductor and composer/arranger Roland Carter has a passion for finding and performing the rich array of choral music from the African American tradition. While at the 2012 Chorus America Conference in Minneapolis, Chorus America talked with Carter about his life and work.
DC's "dean" of choral conductors steps down and reflects on a career that spanned a half century in the U.S. capital
Mom. It's one little word, but such an enormous job. In celebration of mothers, we asked members of our Facebook page to tell us: "What impact did your mother have on your life in music?"
We look back on the emergence of professional choruses in North America and the role of professional singers in bringing them public acclaim.
Composers don't exist in a vacuum; they are continually influenced by their predecessors and peers, their culture and society. Here, we look at some of the influences (and influencers) reflected in Verdi's Requiem.