Conducting

Research Memorandum Series No. 202

This issue provides insight into the music of David Hamilton, prolific composer and music educator from New Zealand. Jennifer Morgan Flory gives us a complete listing of Hamilton's works for choir and intstrumental ensemble.

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Here are more techniques for both conductors and singers to consider after reading the article "Is It Okay to Ask Questions During Rehearsal" by Kelsey Menehan.

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Music director and radio host Tom Hall remembers his friend and colleague, jazz musician Dave Brubeck, who passed away just short of his 92nd birthday.

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Do you feel like the instructions you are giving your singers in rehearsal are not getting the desired result? Conductor Axel Theimer, the founder and artistic director of the Twin Cities-based Kantorei, has developed new approaches that align with research on how humans learn best. Consider his strategies for putting your singers at ease and tapping into their abilities.

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Viral Video Shines New Light on Choral Music

If you’ve been on the internet during the past month, you’ve probably seen the quirky viral video of a chorus and orchestra covering the popular, can’t-get-it-out-of-your head song “Call Me Maybe” by Carly Rae Jepsen. There are hundreds of other videos online covering the song, ranging from topics like NFL replacement referees to the United States Olympic swim team, so what makes this one so special? With more than two million hits and counting on YouTube, mentions in newspapers around the country, and even a featured performance on the Today Show, who knew choral music could go so viral?

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Research Memorandum Series No. 201.

This issue provides insight into the music of Stephen Chatman, internationally known Canadian composer and teacher. Graeme Langager gives us a complete listing of Chatman's published and unpublished choral compositions.

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This peripatetic Jenny Appleseed of melody continues to traverse the country as a distinguished teacher, coach, conductor, and advocate for words and melody

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DC's "dean" of choral conductors steps down and reflects on a career that spanned a half century in the U.S. capital

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The experience of several professional core choruses demonstrates there are ways to gracefully handle the inherent tension that arises when paid singers are brought on board in a mostly volunteer ensemble. Here are eight tips from managers, conductors, and volunteer singers who have been through this process.

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Adding paid professional singers to a volunteer chorus raises issues of fairness, finances, artistic prowess, and culture. We offer advice for managing the process from those who've been through it.

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