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June
26, 2008, (New York, NY) – Organizers of the National
Performing Arts Convention (NPAC) are pleased to announce that
4,000 people
attended the Denver convening, held from June 10 to
14. The convention succeeded in bringing together over
700 performing artists and members of 30 national arts service
organizations: uniting the performing arts sector to tackle
their shared challenges and learn best-practices from each
other.
The
centerpiece of NPAC focused on the three daily caucuses -
implemented by AmericaSpeaks - that blended
thousands of people from dance, music, opera and theatre and
concluded on the last day with the 21st Century
Town Meeting. Through this process every convention
participant was encouraged to make their voice heard to help
create an agenda that would activate the performing arts
community in America.
1,235
conference attendees participated in the final Town Meeting
and electronically voted on key recommendations, culling down
the material from the previous caucuses. "The quality,
creativity and thoughtfulness of the participants'
contributions were remarkable in these caucus sessions -
across the performing arts industry," said Ann Meier Baker,
co-chair of NPAC and President/CEO of Chorus America. "I
think everyone who participated was truly inspired and NPAC
has helped establish clear priorities for action toward a
stronger future for the performing arts in the United States -
thanks to all their hard work."
"The
Town Hall Meeting identified several themes from the voting
process", added Marc A. Scorca, co-chair of NPAC and
President/CEO of OPERA America, "Namely, increasing our
partnerships with non-arts related organizations; raising the
public visibility of the performing arts community and,
identifying and sharing best practices. The national NPAC
co-conveners look forward to collaborating as we address the
priorities of advocacy, arts education and diversity for our
field and our communities." Summarized details of the
Town Meeting outcomes can be found at the NPAC blog 'Program
Notes': www.artsjournal.com/npac, where comment
fields have continued the
discussion.
Nearly
100 speakers and presenters of note participated in the
conference, including Opening plenary speakers Anna Deavere
Smith, Bill Rauch of the Oregon Shakespeare Festival and
Denver mayor John Hickenlooper; business guru Jim Collins,
Baltimore Symphony music director Marin Alsop and Venezuelan
music education phenomenon Jose Antonio Abreu; Pulitzer
prize-winning playwright Paula Vogel and the current and
former National Endowment for the Arts chairs Dana Gioia and
Bill Ivey. These keynote speakers addressed the NPAC themes
that resonated with all the participating art forms, namely:
sustainability; the nurturing or artists; arts education for
all; broadening participation; the role of public policy;
collaboration and diversity. A full list of
speakers and presenters can be found at www.performingartsconvention.org.
Examples
of some of the 100 sessions ranged from Taking Art Off the Shelf: Making
the Arts Relevant Again to The Art of Living, or Living for
Art: A Survival Guide for Individual Artists; from
The Value of A
Seat to Boomers: A Blooming Audience, or
Fading Flowers in the Cultural Scene?; and from
Playwriting
Bootcamp to Fun
with Critics. For a full list of conference
sessions, visit www.performingartsconvention.org.
In
addition to the wide variety of programming, the convention
center's upper level was abuzz with ArtsTown and its 224
exhibitors, live performances, a smART Bar, "public library"
and bookstore, POP Cyber Café and the U.S. component of the
Prague Quadrennial Exhibit. The smART Bar alone offered
over 230 one-on-one consultations with experts and overflowed
its capacity. Throughout the convention, Denver was also
filled with 126 live performances in and around NPAC, offered
by more than 50 performing companies, many of whom adjusted
their normal schedules so their seasons coincided with
NPAC.
The
official NPAC blog 'Program Notes', hosted by ArtsJournal, started
with ten established arts bloggers, one per week for ten weeks
leading up to the convention, writing on different topics that
corresponded to NPAC sessions. Session leaders were then
provided with the bloggers' comments as a jumping-off point
for their live sessions. The second part of 'Program
Notes' continued the digital effort, commenced at NPAC with 17
diverse attendees reporting their thoughts and impressions to
offer readers as many perspectives on the convention as
possible. Entries on sessions, networking events and
performances were posted and an open comment field existed for
general discussion. This framework provided both a "big
picture" going into Denver and a "nuts and bolts" during the
convention.
Empowered
by the feedback from the Town Meeting and an online survey of
all participants, the outcomes and future direction of NPAC
will be extensively discussed over the next several
months. During this time NPAC's full value and
suitability as a vehicle for bringing together the non-profit
performing arts community, and the response to the issues of
concern to the sector, will be fully evaluated to guide a
decision about the ongoing future collaboration and activities
of the performing arts field.
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Participating
NPAC 2008 national arts service organizations included:
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Alternate
Roots, American Association of Community Theatre,
American Composers Forum, American Music Center,
Americans for the Arts, Association of Performing Arts
Presenters, Chamber Music America, Chorus America,
Conductors Guild, Creative Capital, Dance USA, Early
Music America, Folk Alliance, Fractured Atlas, The
Future of Music Coalition, Grantmakers in the Arts,
International Performing Arts for Youth,
International Society for the Performing Arts,
Kaiser Permanente Educational Theater Program, League of
American Orchestras, Literary Managers and Dramaturgs of
the Americas, Meet the Composer, Music Critics
Association of North America, National Assembly of State
Arts Agencies, National Association of Latino Arts and
Culture, National Guild of Community Schools of the
Arts, National Performance Network, North American
Performing Arts Managers and Agents, OPERA America,
Theatre Communications Group, and University/Resident
Theatre
Association. |
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